Othello - Plot Synopsis

By Stanley Switalski
Task - Please read Carefully and do the following:
Sort by Acts and Scenes: Exposition, Rising Action, Climax, Falling Action, Denouement, Resolution, Settings, Characters (You have already picked out Othello, now select Desdemona and Iago), Conflicts, Possible Drama Terms mentioned or you predict is in these acts.

Characters of Othello
Click on their name to see a photo of who I would like to play their part in my rendition.
Roderigo A Gentleman who adored Desdemona. Unfortunately for him, Desdemona eloped with Othello.
Iago A soldier under Othello’s Command. He is the mastermind of a scheme to get revenge on Othello for promoting Cassio to lieutenant.
Othello A great Moorish warrior who is now a General in the service of the ruler of Venice.
Desdemona A lady, the daughter of Brabantio. Roderigo has been courting her, but elopes with Othello. She loves Othello "for the visage in his mind" and will always love him under any conditions.
Michael Cassio Another soldier that was promoted to lieutenant instead of Iago. He is an old and beloved friend of Othello's. His wife is Bianca.
The Duke The Duke of Venice; he admires Othello’s unique ability to control and fight in a war.
Emilia Iago’s wife. She accompanies Desdemona to Cyprus to look after her.
Bianca Michael Cassio’s Wife. She feels that Cassio is not giving her enough attention and believes that he is seeing someone else.
Montano The Venetian Governor.
Lodovico Desdemona’s kinsmen.
Clown A servant to Othello.


Conflicts Identified
Iago has a man vs. man conflict with Cassio and a man vs. man conflict with Othello because of this.

Brabantio has a man vs. man conflict with Othello for loping with his daughter Desdemona.

Although not clear, Roderigo might also have a man vs. man conflict with Othello for he stole the lady he loves.


Individual Acts
It is in this act that the exposition takes place. We start to see the conflicts in the plot and what Iago, the mastermind behind a plot to get revenge on Othello, plans to do. Act I, Scene I

Setting: “The play opens on a warm Venetian night, where a conversation is underway between Roderigo, a gentleman, and Iago, a soldier under Othello's command.” It then moves onto Brabantio’s property, specifically underneath his window.
These acts are all part of the Rising Action. We slowly see how Iago executes his plan and how well his plan is actually going. Essentially, you can view each scene as one step further that Iago progresses in his plan leading up to the climax. Act I, Scene II

Setting: “On a Venetian street where Iago has joined Othello and his attendants.” The setting then moves into a meeting with Brabantio.
Act I, Scene III

Setting: The council chamber.
Act II, Scene I

Setting: “In Cyprus at a seaport where Montano, the Venetian governor and his friends discuss a tempest that might have destroyed the Turkish fleet.”

In this scene Iago “soliloquizes that he intends to “make the Moor thank and love” him, while at the same time planting thoughts of jealousy in Othello's mind -- thoughts so strong “That judgement cannot cure.”
Act II, Scene II

Setting: “On a street in Cyprus a herald announces the great victory feast and party that Othello has planned.”
Act II, Scene III

Setting: Setting: “In the great hall of the castle Othello, Desdemona, and Cassio speak briefly about Iago.”
Act III, Scene I

Setting: Setting: “Outside the castle, Cassio has gathered some musicians in the hopes of putting Othello in a good mood.” He also tries to see Desdemona.
Act III, Scene II

Setting: Setting: This is a short scene where Othello makes plans to inspect some parts of the fortifications built by his troops.
This scene is the climax. It is the point where the whole play turns around and Iago’s plan finally comes all-together. With the combination of Desdemona bidding for Cassio after Othello sees Cassio leaving her quarters, Iago is finally able to enter Othello’s mind and execute his revenge. It is also the part of the play where we see Othello's tragic flaw. Act III, Scene III

Setting: “The scene shifts to the garden of the castle.”

In this scene we see Othello’s tragic flaw and become a dynamic character. He transforms from the hero to a villan. Before Iago was able to manipulate Othello, we see Othello as a huge hero who defened Venice numerous times. But as soon as Iago is able to carry out his plot, Othello turns into this murderous character.
  Act III, Scene IV

Setting: “In front of the castle Desdemona and Emilia meet the Clown, a servant to Othello.”
Act IV, Scene I

Setting: “On the grounds of the castle, Iago and Othello have found a secluded place in which to continue their discussion of Desdemona's adultery. Although to the audience it appears that they have resumed where they left off at the end of Act III, Shakespeare hints that much time has elapsed and that Iago used those missing hours and days to pollute further Othello's mind.”
Act IV, Scene II

Setting: In a room of the castle. Othello has finds Emilia to question her about her knowledge of Desdemona's affair.
Act V, Scene I

Setting: “Out on the streets Iago positions Roderigo to ambush Cassio.”
This is a big scene for many reasons. First off, it is the ending scene. Secondly, it contains the falling action, denouement and the resolution. Essentially, this entire act is the resolution to the plot of the play. We finally see what becomes of Iago's plan and whether or not Othello remains the hero or remains the villain. Turns out that Othello recognizes the betrayal and his mistake. Because of this, and the fact that he killed his wife, he believes killing himself is the only way he can correct the wrong he has done.

The Falling Action is where Othello finally realizes that Iago has been manipulating him all along to, in the end, kill his wife.

The denouement is where Emilia proves to Othello that Desdemona was not cheating, but it was Iago who told her to steal the handkerchief and that it was Iago who must have planned this all out.
Act V, Scene II

Setting: “The scene shifts to Desdemona's bedchamber in the castle.”

 

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