Othello - Plot Synopsis

By Stanley Switalski
Task - Please read Carefully and do the following:
Sort by Acts and Scenes: Exposition, Rising Action, Climax, Falling Action, Denouement, Resolution, Settings, Characters (You have already picked out Othello, now select Desdemona and Iago), Conflicts, Possible Drama Terms mentioned or you predict is in these acts.

Characters of Othello
Click on their name to see a photo of who I would like to play their part in my rendition.
Roderigo A Gentleman who adored Desdemona. Unfortunately for him, Desdemona eloped with Othello.
Iago A soldier under Othello’s Command. He is the mastermind of a scheme to get revenge on Othello for promoting Cassio to lieutenant.
Othello A great Moorish warrior who is now a General in the service of the ruler of Venice.
Desdemona A lady, the daughter of Brabantio. Roderigo has been courting her, but elopes with Othello. She loves Othello "for the visage in his mind" and will always love him under any conditions.
Michael Cassio Another soldier that was promoted to lieutenant instead of Iago. He is an old and beloved friend of Othello's. His wife is Bianca.
The Duke The Duke of Venice; he admires Othello’s unique ability to control and fight in a war.
Emilia Iago’s wife. She accompanies Desdemona to Cyprus to look after her.
Bianca Michael Cassio’s Wife. She feels that Cassio is not giving her enough attention and believes that he is seeing someone else.
Montano The Venetian Governor.
Lodovico Desdemona’s kinsmen.
Clown A servant to Othello.


Conflicts Identified
Iago has a man vs. man conflict with Cassio and a man vs. man conflict with Othello because of this.

Brabantio has a man vs. man conflict with Othello for loping with his daughter Desdemona.

Although not clear, Roderigo might also have a man vs. man conflict with Othello for he stole the lady he loves.


Individual Acts
It is in this act that the exposition takes place. We start to see the conflicts in the plot and what Iago, the mastermind behind a plot to get revenge on Othello, plans to do. Act I, Scene I

Setting: “The play opens on a warm Venetian night, where a conversation is underway between Roderigo, a gentleman, and Iago, a soldier under Othello's command.” It then moves onto Brabantio’s property, specifically underneath his window.
These acts are all part of the Rising Action. We slowly see how Iago executes his plan and how well his plan is actually going. Essentially, you can view each scene as one step further that Iago progresses in his plan leading up to the climax. Act I, Scene II

Setting: “On a Venetian street where Iago has joined Othello and his attendants.” The setting then moves into a meeting with Brabantio.
Act I, Scene III

Setting: The council chamber.
Act II, Scene I

Setting: “In Cyprus at a seaport where Montano, the Venetian governor and his friends discuss a tempest that might have destroyed the Turkish fleet.”

In this scene Iago “soliloquizes that he intends to “make the Moor thank and love” him, while at the same time planting thoughts of jealousy in Othello's mind -- thoughts so strong “That judgement cannot cure.”
Act II, Scene II

Setting: “On a street in Cyprus a herald announces the great victory feast and party that Othello has planned.”
Act II, Scene III

Setting: Setting: “In the great hall of the castle Othello, Desdemona, and Cassio speak briefly about Iago.”
Act III, Scene I

Setting: Setting: “Outside the castle, Cassio has gathered some musicians in the hopes of putting Othello in a good mood.” He also tries to see Desdemona.
Act III, Scene II

Setting: Setting: This is a short scene where Othello makes plans to inspect some parts of the fortifications built by his troops.
This scene is the climax. It is the point where the whole play turns around and Iago’s plan finally comes all-together. With the combination of Desdemona bidding for Cassio after Othello sees Cassio leaving her quarters, Iago is finally able to enter Othello’s mind and execute his revenge. It is also the part of the play where we see Othello's tragic flaw. Act III, Scene III

Setting: “The scene shifts to the garden of the castle.”

In this scene we see Othello’s tragic flaw and become a dynamic character. He transforms from the hero to a villan. Before Iago was able to manipulate Othello, we see Othello as a huge hero who defened Venice numerous times. But as soon as Iago is able to carry out his plot, Othello turns into this murderous character.
  Act III, Scene IV

Setting: “In front of the castle Desdemona and Emilia meet the Clown, a servant to Othello.”
Act IV, Scene I

Setting: “On the grounds of the castle, Iago and Othello have found a secluded place in which to continue their discussion of Desdemona's adultery. Although to the audience it appears that they have resumed where they left off at the end of Act III, Shakespeare hints that much time has elapsed and that Iago used those missing hours and days to pollute further Othello's mind.”
Act IV, Scene II

Setting: In a room of the castle. Othello has finds Emilia to question her about her knowledge of Desdemona's affair.
Act V, Scene I

Setting: “Out on the streets Iago positions Roderigo to ambush Cassio.”
This is a big scene for many reasons. First off, it is the ending scene. Secondly, it contains the falling action, denouement and the resolution. Essentially, this entire act is the resolution to the plot of the play. We finally see what becomes of Iago's plan and whether or not Othello remains the hero or remains the villain. Turns out that Othello recognizes the betrayal and his mistake. Because of this, and the fact that he killed his wife, he believes killing himself is the only way he can correct the wrong he has done.

The Falling Action is where Othello finally realizes that Iago has been manipulating him all along to, in the end, kill his wife.

The denouement is where Emilia proves to Othello that Desdemona was not cheating, but it was Iago who told her to steal the handkerchief and that it was Iago who must have planned this all out.
Act V, Scene II

Setting: “The scene shifts to Desdemona's bedchamber in the castle.”

 

Who I would like to play Othello

By Stanley Switalski
 

Intro to William Shakespeare's Othello

By Stanley Switalski
Aim: What is the cultural as well as the social context of Shakespeare’s othello?
Do Now: In yesterday’s lesson, we created a scene. If you had to select an actor to play one of the characters (protagonist/antagonist) who would you choose and why?
I would like Dane Cook to play the antagonist and Kat Williams to play the protagonist. These two comedians combined would produce a great play based on the dialogue and genre of our play.

Classwork
Who were the Moors?
“The Moors” is a term that refers to “a mixture of people, mostly derived from Arabs and Berbers inhabiting northern Africa. The term lives in the names of the two countries, Morocco and Mauritania. As a people the Moors traveled northward and conquered Spain. They also inhabited Morocco, Algeria, and Mauritania. The term Moors remains ambiguous. Some authorities consider the Moors equivalent to the Berbers; others restrict the name to an admixture of Arab ancestry and refer to as Moors only the more settled Arabic-speaking population of the towns. In European history the term is applied loosely to the inhabitants of the Barbary states under Ottoman rule.”

Who were the Venetians?
"Venetians" is a term that refers to Italians that descend from Venice. In the late 1500’s and early 1600’s, the “Venetians were a wealthy and therefore powerful people.” This wealth stemmed from the income that the Venetians made off of their canals and trade. In relation to Othello, the wealth and power had made “Venice a city of high importance to military and political officials and also gave the natives a great pride in their background.”

What was the military duty of ranked officers?
General – Is it the “title and rank of a senior army officer, usually one who commands units larger than a regiment or its equivalent or units consisting of more than one arm of the service. Frequently, however, a general is a staff officer who does not command troops but who plans their operations in the field. General, lieutenant general, and major general are the first, second, and third grades of general officers in many armies. The United States Army, Air Force, and Marines have a fourth general officer grade, brigadier general (brigadier in the British Army). The highest U.S. Army rank, five-star general of the army, was created in 1944 and was conferred upon Henry Harley “Hap” Arnold, Dwight D. Eisenhower, Douglas MacArthur, and George C. Marshall in that year and upon Omar N. Bradley in 1950. The four-star rank of general of the army of the United States was established for Ulysses S. Grant in 1866 and was bestowed later upon William T. Sherman and Philip Sheridan; the unique four-star rank of general of the armies of the United States, created in 1799 for George Washington but never held by him, was conferred upon John J. Pershing in 1919.”
Lieutenant- “A powerful position, is assigned by the General. Can give orders to other soldiers that have lesser ranks then him. This rank does not come with much social status but it is often used as a place to work from to reach higher ranks.” A lieutenant is usually in charge of 20 to 50 soldiers.
Marshall – It is the title “given to certain civil and military offices of varying rank. The origin of the term is closely related to that of England’s constable. In the United States the title “marshal” is employed to designate two types of executive legal officers. The most important of these is the U.S. marshal, an officer appointed by the president with the consent of the Senate for each judicial district. This officer executes the processes of the federal court in his district. The term is also used for temporary police who are sworn in to maintain order during periods of emergency. “Marshal” or “field marshal” is also used in several countries to designate the highest army rank.”

What was the military hierarchy?
Soldiers were paid through their victories. As a citizen, military duty becomes one's responsibility. The aristocrat class is on the top of the military; they are the richest and have the most political power in their society. Their position leaves them in charge of the navy, as well as initiating wars. The Calvary is also a responsibility of the aristocrats. They are the ones that are in charge of supplying chariots and horses and arm guards; usually they act as commanders of small units. Next are the soldiers of heavy-infantry. They need to be equipped and attain skills to fight in wars. The lowest in the military hierarchy are light-infantry soldiers that work under the leadership of generals and commanders.

What was the role of women?
In the 16th century, the role of women was extremely small. For a job, most women were housewives for the professions were closed to women. As for education, women did not go to school. If the family deemed it necessary and had the funds/time, the women would be home-schooled. “Prior to the 16th century society viewed women with the Christian and Aristotelian views which looked at them as sinful and imperfect. Writers such as Shakespeare challenged these views with their works and they were slowly changed. Women were mostly silent, they did not speak out much at all about their opinions, especially in public. Some women wrote, but mostly all they wrote about was prayer and meditation. The only real chance they got to write about their feelings was in poems.” At the time in which Elizabeth ruled, women gained much power. Though it is true women of nobility gained this power more often than women of a lower class.

What was expected of a daughter?
Daughters were expected to follow their father’s wishes. They had to marry who their fathers choose for them to marry.

What was expected of a bride?
In the Renaissance times a Renaissance Woman was supposed to marry well, be loyal to her husband and give birth to boys. Many women did not fit the mold of what they called a "Renaissance Woman." Many of them would fit in as more of a "Renaissance Man" or what we would call a "Renaissance Woman" in our day and age.
Girls were married for alliances between their families, not for love. Women were married with doweries that their family provided and they prepared household possesions to contribute to the new home. Brides were supposed to be virgins before marriage. Women were supposed had to be faithful and respect their fathers and the family over their wants and needs.
Women got involved in disputes about marriage, inheritance and property. In all these matters they had contact with officialdom, so they enter the record. What is particularly noticeable is that many women were familiar enough with the processes involved to use them constructively to their best advantage. It's no accident that women appear far more often in cases tried in the church courts (where even married women had a separate legal identity) than in the common law courts (where married women could not bring cases on their own account).

What relationships between men and women were considered beyond reproach?
It has been proven that there were forms of racism during the Renaissance. Therefore, a marriage between races or religions were probably considered beyond reproach. Also, because the class system was heavily used, only the rich would marry the rich and only the poor would marry the poor. You could not marry out of your class.

What rules for getting married existed at the time of the play?
"The institution of marriage in the Renaissance Period was both secular and sacred. Secularly, it served as a union of two parties interested in acquiring property, money or political alliances. Marriage was also sacred in that it bound the love of a man and woman and sought procreation. William Shakespeare's work vividly displays the sacredness of love and marriage. Popular critics of his time considered Shakespeare the greatest love poet of all time. It was once said "he represented in an inimitable and masterly manner all the phenomena and manifestations of love." A working knowledge of both marriage and inheritance procedures in the Renaissance Period affords a better understanding of Shakespeare's works."
Property ownership in marriage was important as well. "First, land descended to the eldest son to the exclusion of his siblings. But if there was no son, land went to the daughter. If there were more than one daughter then they were all equal heiresses. Common law gave a limited preference to males, as it gave daughters preference over collateral males, such as the nephew, or uncle, or male cousin. The younger son often received no inheritance after the bulk of it was given to the eldest son, so many times they sought higher education in order to provide for any family they might have in the future. The next to be considered for the inheritance of a deceased landowner was the widow. The widow had a large common law right which became very well protected in the 16th century. She was entitled to a third of her husband's land for life because of her right of dower. A husband could leave his wife less by specifying it at the time of his marriage.
The second form of courtship was handled for the most part by the parties involved. A man attracted to a certain woman would ask her family for permission. Keith Wrightson suggests in his documentation of 17th century marriage practices that "it seems reasonable to conclude that among the greater part of the common people marriage partners were freely chosen, subject to the advice of friends and a sense of obligation to consult or subsequently inform parents if they were alive and within reach." If the man was both financially and personally acceptable, permission was granted and courtship continued with visits, gifts, and expressions of love.
Before a couple could officially be considered married by the church and common law, there were four basic requirements. First, the bride's family had to consent and a dowry be offered. Second, both parties had to be of equal social class. The third requirement was for the parties to publicly declare the wedding and to have witnesses. Finally, the couple had to consummate the marriage.
Shakespeare's time period marked a time where marriage was an important aspect of people's lives. The ways in which people were matched and married was very evident in many of his works as he strove to depict love and the relationships that developed between men and women. The procedures to inheritance are an important aspect of marriage in that it gives people a better understanding of the reasons behind the way marriages were handled around the Renaissance era."

Who was the most famous Moor?
"The one famous Moor we all know about is Shakespeare's Othello."

What were the rules of courtship?
During the Shakespearean era, marriage was secular and sacred. When two people were married they had to think about the fortune they would inherit from their love. If the parents were to die the eldest son would receive most of their fortune and the youngest would usually receive the least. Marriage was also an important part of people’s lives because it bound the man and woman together and they were expected to have children.

Homework:

What rules dictate the behavior of men and women in relationships today?
Marriage and relationships in today’s society are much different than back in the 16th century. Back in the 16th century, men were essentially in charge and no one should ever question the man of the household. If the wife did speak up, for example, she might have been beaten/abused and the husband would have gotten away with it. In today’s society, both the men and women play an equal role in a relationship and should never be abused. Ever since we were young, we were told to respect one another and insist that we receive the same respect back. However, not all the time does this occur. If, for example, the woman in a relationship were abused, so long as she can present evidence, she would be able to obtain a restraining order or other assistance that would insure her rights are protected.

Name a situation in which the rules have been clearly violated? That is, what are things “nice girls” or “nice boys” just don’t do?
We see it everyday, especially with younger adults. The males are typically the ones who perform inappropriate acts that, although they don’t know, could be classified as sexual harassment. Everyone is entitled to his or her own personal space, and that person space should not be violated. Yet everyday, we see people or hear about people who unwillingly were either denied their personal space or sexually assaulted.
A specific example would be when women were walking through central park a few years ago. Because it was at night, they would not be able to see the stalkers hiding, and when they pounced, they took the woman and physically abused her.

Why do these rules exist? Do you think they apply locally or even just at your school? What are the possible consequences of breaking these rules?
These rules exist so that we are not abused or violated. We also trust that these rules will stimulate a properly functioning society. If these rules were not put into place, then the world would become a terrible place filled with sexual crimes. Now because most of us are brought up to respect one another, I do not feel as though anyone really thinks about committing acts that would cause them to be reprimanded by these rules. Even if they were, yes I believe these rules apply locally because we do not hear many cases of women or men being treated unfairly in relationships. Yes there may be a few cases of men or women being violated, but in the end the perpetrator is always punished and the victim receives assistance.
The most common consequences of breaking these rules is that you are put on a watch list, there is a restraining order placed against you or you are suspended from either work or school depending on the location of committing the act. Depending on the degree of the act, some perpetrators might even receive jail time. However, the problem with this is that the perpetrator is not corrected, just punished. Yes, the victim is protected, but the perpetrator has not learned right from wrong and may even be more tempted to recommit the act out of anger.

Do you know if these rules are applicable to other cultures or are they totally different?
Although there may not be any rules restricting inappropriate behavior, sometimes there are rules that limit who a person can or cannot have a relationship with in another culture. An example of this would be arranged marriages.
As for whether women have rights in their culture, I am not sure. I do know that in some cultures, women are still seen as insignificant people who are responsible for taking care of the house and children. However, if the wife or female partner in a relationship is abused, I am not sure if it is safe for the woman to speak up about it. Who knows? In some cultures, it might even be rude for a woman to speak at all about what takes place in the household. Their culture might see it as something only the family should discuss.

Think of scenes from ANY show/movie that adheres to these rules as well as shows/movies that violates these rules.
In today’s society, I do not feel as though producers concentrate on this area of rules that dictate behavior in relationships. However there are a few movies where there is a female role that is consistently being abused. The movies that I remember having the most rules broken are civil war era movies. There is always times where there are young children being traded as sex slaves. There are other times in these films where there is a woman in a relationship being beaten every day, and yet they cannot say anything for no one would protect them from their husband’s wrath after the wife told the truth.
Fortunately, to make up for these terrible films, there are love films in today’s society that demonstrate a true and perfect relationship. There are also TV shows where we see a couple “madly in love,” and they still manage to respect one another. In conclusion, I feel as though there is a fine balance between media that violates these basic rules and media that endorses these basic rules.
 

Major Elements of Drama

By Stanley Switalski
Aim: Major Elements of Drama
Do Now: What comes to mind when you hear the word drama?
There are a few things that come to mind. First would more than likely be trouble and over exaggerated situations. But then there is the acting drama.
  • What is a play: A type of literature written by a playwright.
  • What do you think is involved in a play: Characters, Actors, Plot Structure Pyramid.
  • Where was Shakespeare’s Plays Stages: The globe teather in London.
  • Who did he write his plays for? : The Queen
  • Who was his audience: For everyone.
  • Who were the actors? Mostly Men were the actors.
  • How were the characters dressed? They were dressed in the parts that they played.

  • From what we already know and learned, if you had to put on a play what kind of play would it be, and what would be involved in putting on your play?
    Our play would have to be a comedy and tragedy for it would attract a lot of attention. In order for our play to go well, we would need to make sure we have a good plot, a good exposition, an excellent climax, a good falling action and a good rising action in order to trap our audience’s attention. In order to keep their attention, we would need to have an interesting scenery with an excellent costume designer. In order to introduce our play, we would need a narrator and for the play to flow we would need excellent stage directions.

    Here is a topic: “If you see something, say something.” Now if this was the name of your play, what monologue/dialogue would you expect or write for this play?
    Two drunken men are sitting on a train platform bench, waiting for the train to come. There is a backpack found underneath the bench.
    A – “Hey dude do you hear that beeping sound. Its really buggin’ the hell out of me.”
    B – “It’s not anything I own. How bout you? Sounds like it is really coming near you dude.”
    A – “Nah man. Wait, I think its coming from out of this bag under my seat. Is it yours?”
    B – “Doesn’t look like it belongs to anyone and it sure isn't mine. Oh dude, remember what the MTA said? See something, um open it?”
    A – “Oh yea I remember that saying. Nah man its See Something, Say Something.”
    B – “Should we talk to that smiling booth over there about it?”
    A – “Yea, I’ll go.”


    Homework:

    Catharsis - The purging of the feelings of pity and fear that, according to Aristotle, occur in the audience of tragic drama. The audience experiences catharsis at the end of the play, following the catastrophe. A catastrophe is the action at the end of a play that initiates the falling action of a play.
    Character - An imaginary person that inhabits a literary work. Literary characters may be major or minor, static or dynamic. In Shakespeare's Othello, Desdemona is a major character, but one who is static, like the minor character Bianca. Othello is a major character who is dynamic, exhibiting an ability to change.
    Climax - The turning point of the action in the plot of a play or story. The climax represents the point of greatest tension in the work.
    Conflict - A struggle between opposing forces in a story or play, usually resolved by the end of the work. Conflicts include man vs. man, man vs. self and man vs. society.
    Denouement - The resolution of the plot of a literary work.
    Dialogue - The conversation of characters in a literary work. In fiction, dialogue is typically enclosed within quotation marks. In plays, characters' speech is preceded by their names.
    Diction - The word choice of the author. These are words that help to convey different attitudes or tones.
    Dramatic monologue - A literary, usually verse composition in which a speaker reveals his or her character, often in relation to a critical situation or event, in a monologue addressed to the reader or to a presumed listener.
    Dramatis personae - Latin for the characters or persons in a play.
    Exposition - The first stage of a fictional or dramatic plot, in which necessary background information is provided.
    Falling action - The action following the climax of the work that moves it towards its denouement or resolution.
    Monologue - A speech by a single character without another character's response.
    Narrator - The voice and implied speaker of a fictional work, to be distinguished from the actual living author.
    Parody - A humorous, mocking imitation of a literary work, sometimes sarcastic, but often playful and even respectful in its playful imitation.
    Pathos - A quality of a play's action that stimulates the audience to feel pity for a character. Pathos is always an aspect of tragedy, and may be present in comedy as well.
    Plot - The unified structure of incidents in a literary work.
    Point of View - The angle of vision from which a story is narrated. Different point of views include first person, in which the narrator is a character or an observer, third person objective, in which the narrator knows or appears to know no more than the reader, third person omniscient, in which the narrator knows everything about the characters, and third person limited omniscient, which allows the narrator to know some things about the characters but not everything.
    Resolution - The sorting out or unraveling of a plot at the end of a play, novel, or story. See Plot.
    Rising Action - A set of conflicts and crises that constitute the part of a play's or story's plot leading up to the climax.
    Soliloquy - A speech in a play that is meant to be heard by the audience but not by other characters on the stage. If there are no other characters present, the soliloquy represents the character thinking aloud.
    Stage Direction - A playwright's descriptive or interpretive comments that provide readers (and actors) with information about the dialogue, setting, and action of a play. While modern playwrights depend on these stage directions, earlier playwrights hardly used them.
    Tragic Flaw - A weakness or limitation of character, resulting in the fall of the tragic hero. Othello's jealousy and too trusting nature is one example.
     

    Women - In Renaissance and In Today's Society

    By Stanley Switalski
    Do Now: Recall Shakespeare’s poems above and write a brief commentary on the portrayal of women in the Renaissance. You can look at the images and think about whether they seem idealized or realistic.
    The women during the renaissance must be portrayed as idealized because of their appearance. There can be no way that everyone used make-up in the renaissance to make themselves appear as white as some of these women in these photos. There can be no way that everyone could afford those elaborate dresses and it is impractical for them to wear such elaborate dresses all the time. I mean even in this time period, not all models always appear in their idealized form. On top of that, these photos are only from the upper-class. If you were to look at the poor, and if there was a middle-class, there is no way that they were able to afford such elaborate dresses. Therefore all these photos depict idealized women.

    How does the portrayal of women in the paintings of the period compare with the portrayal of women today such as Tyra Banks, Lindsay Lohan, Queen Latifah, Jesse Randhawa, Marilyn Monroe, Jane Seymour?
    The women from the renaissance were, back in that time period, were absolutely beautiful. However, the difference between the two time periods is evident. In today’s society, we idealize skin while in the renaissance era idealized elaborate dresses and white faces. This opinion is based off the media that we, as the young generation, are exposed to.
     

    Elizabeth Barrett Browning’s Sonnet 43

    By Stanley Switalski
    Aim: How is the Shakespearean Sonnet different from the Petrarchan Sonnet
    Do Now: How would you describe your approach to romance when compared to your friends?
    Some of my friends and peers feel as though that you should go for the most attractive female and do everything that you possibly can to impress her. I, on the other hand, feel as though that what happens, happens and so if there is a female that I find interesting, then it would be bound to happen. I would not have to impress or do anything to “make romance” occur. After all, love is not all about being impressive or being physically beautiful. If that is what your judgment is based on, and you put on a fake personality, then what do you really have in common?
    Teacher Read Aloud: Elizabeth Barrett Browning’s Sonnet 43
    XLIII. "How do I love thee? Let me count the ways..."
    by Elizabeth Barrett Browning (1806-1861)

    How do I love thee? Let me count the ways.
    I love thee to the depth and breadth and height
    My soul can reach, when feeling out of sight
    For the ends of Being and ideal Grace.
    I love thee to the level of everyday's
    Most quiet need, by sun and candle-light.
    I love thee freely, as men strive for Right;
    I love thee purely, as they turn from Praise.
    I love thee with a passion put to use
    In my old griefs, and with my childhood's faith.
    I love thee with a love I seemed to lose
    With my lost saints, --- I love thee with the breath,
    Smiles, tears, of all my life! --- and, if God choose,
    I shall but love thee better after death.

    Comprehension Check:
    1.What question does the speaker of “Sonnet 43” prose and answer?
    The question posed is "How (much) do I love you?" The speaker loves their beloved in many forms and uses metaphors and other comparisons to express the speaker's deep love for their beloved.
    2.What is your impression of the romantic relationship described in this sonnet?
    I believe that the romantic relationship being described is a true relationship, not based just on physical appearance, but compatibility and loyalty. Although there are many reasons I get this idea, the line that hits me the hardest is line 14, "I shall but love thee better after death." The speaker loves this person so much, that even after they pass away, the speaker will love them even more and miss their presence to the point of heart-break.
    3.Do you think it is desirable to love or be loved in this way?
    I do believe that it is desirable to be loved in this way. It shows that they really care about you and would always love you, "in sickness and in health." On the other hand, I do not think it is desirable to be loved in this fashion as well. Constantly hearing "I love you" and always having to be with someone can take a toll on me, as well as many other people.
    Literary Analysis: What symbols are evident in this poem?
    Line 6: I love thee ... by sun and candle-light.
    Line 7: I love thee freely, as men strive for Right
    Line 14: I shall but love thee better after death.
    Critical thinking:
    Do you think it is wrong to love someone so intensely?
    Although I do not think it is wrong to love someone so intensely, I would think it would become an annoyance after a while. Like I said before, it is nice to spend time with your love and hear/see that your love indeed loves you. However, there are just sometimes where it is nice to be alone, just to console and relax.
     

    William Shakespeare Sonnet 130

    By Stanley Switalski
    Aim: Renaissance sonnets often focus on the great beauty of the beloved. How important is physical beauty or attractiveness in today’s society?
    Do Now: What do you think makes you beautiful?
    It would more than likely be my skills and my talents. These things, I feel, are more important than my physical appearance and it is these qualities that make me beautiful.
    Procedures:
    Teacher Read Aloud: Sonnet 130
    Students will do the following
    • Write a brief paragraph on what you think is the meaning of the poem.
    I believe that the poem is stating that physical beauty should not be taken into consideration when think about whether you love someone or not. In the speaker's case, he states how "ugly" and unpleasing their love is physically. But in lines 13 and 14, the speaker states that his/her love is rare and that no one can be better.
    • Think about two questions that you would like to discuss about this poem and write it in your journal/notebook. Now pass your journals around your table and have your peers answer the questions.
    Q1: In line 11, the speaker states that he "never saw a goddess go." So therefore wouldn't the speaker not be able to compare his love to someone who is beautiful?
    QA: Although the speaker has not seen someone who is like a goddess, he still knows the stereotype of someone being beautiful, and there is no way that his love is anywhere near these stereotypes.
    Q2: If there is nothing physically appealing about the speaker's love, then what could be beautiful about the speaker's love? After all, the speaker did not state anything.
    Q2a: It is more than likely that the speaker's love has characteristics that no other male or female possesses.
    Comprehension check:
    Is the speaker’s mistress dark or fair?
    The speaker's mistress must be dark. In context of how the speaker is describing her, he is using specifically dark words, such as "tread," reeks" and "black wires." If the mistress was fair, why would there be any reason for the speaker to use such dark words?
    Do the flaws pointed out by the speaker affect his love for the woman described?
    The flaws do not impact the speaker's love for the woman described. As the speaker states in lines 13 and 14, "And yet, by heaven, I think my love as rare As any she belied with false compare."
    Think Critically: What do you think is the speaker’s attitude toward the woman he loves? Think about: his descriptions of her physical characteristics, his descriptions of her voice, his conclusion in the couplet.
    The speaker does indeed love the woman he is describing. Although she may not be physically perfect no one else can compare to his love. This is meant in a positive manner, as his love is rare. Although most people would not love this woman, because the speaker can overlook her physical flaws and still love her like she was physically beautiful, his love is indeed rare.
    What do you think might have been Shakespeare’s purpose in writing this sonnet?
    Shakespeare might have been contemplating why everyone chases after physical beauty, and angered by this fact, might have wrote this sonnet in hopes to show that not always is physical appearance the biggest factor in deciding whether you love someone or not. After all, like he stated in sonnet 116, physical appearance and tastes may change over the years. But true love, the love that overlooks physical appearance, lasts forever.
    Does this poem present a realistic or idealized portrait of the beloved?
    This is without a doubt a realistic portrait of the beloved as Shakespeare goes into detail about the beloved. He states everything about the beloved, in a negative manner, but then states that the beloved is beautiful in other ways that the eye cannot see.

    Mini Lesson:
    Figurative Language is language that conveys meaning beyond the literal meanings of words. Similes and metaphors are types of figurative language. Simile uses the word like or as to make comparisons. A metaphor makes a comparison without using like or as.

    Literary Analysis: find a simile and metaphor in Sonnet 130.
    Simile - Line 1: My mistress' eyes are nothing like the sun;
    Metaphor - Line 2: If hairs be wires, black wires grow on her head.

    Cooperative Learning: Sept 12 - Sept 15
    Do Now: Students will start forming groups of 2-3 to create their ideal beauty Select one of Shakespeare’s poem and let your readers know why this sonnet best represents your ideal male/female in 3 paragraphs.

    We have chosen Sonnet 130 to represent our ideal female. The reason is quite simple actually, as both our ideal female and the speaker’s ideal female holds this natural beauty. In sonnet 130, the speaker is describing the love of his life. The speaker states, in lines 1, 4, 6, 8, “My mistress’ eyes are nothing like the sun” and “If hairs be wires, black wires grow on her head.” He goes on to state that there are “no … roses … in her cheeks” and that “the breath that from my mistress reeks.” So far, it doesn’t seem as though the speaker really finds this person beautiful.
    However, the speaker completely turns his attitude around in line 13. The speaker states “And yet, by heaven, I think my love as rare.” Why on earth would he say this? That is because the speaker finds a natural beauty within his love. It may not be in the way he/she walks, talks or appears, but there is just something about this person that the speaker loves. This is what our photo depicts.
    In our photo, we have a beautiful Angelina Jolie depicted only with her face. There is nothing else that other males might find attractive; the female in the photo is wearing glasses and a long black dress. All that remains of Angelina Jolie is her face. So like the speaker’s love, our ideal female lacks in areas that other males normally treasure. Yet we still see this female as beautiful because this female has a natural beauty. After all, this female is still Angelina Jolie.

     

    William Shakespeare Sonnet 116

    By Stanley Switalski
    Aim: How can Shakespeare’s sonnet 116 relates to our personal lives?
    Do Now: Write about a time when a best friend’s personal flaws got in the way of your friendship. Or, have you ever stopped seeing/loving someone (friend, girlfriend, boyfriend, family, etc.) because of a personal flaw?
    One of my friends, who I have been a friend with for 8 years, has a huge personal flaw that got in-between our friendship. His ego grew to twice his body, and he honestly started to believe that he knew everything. When he starts to talk, he becomes loud and obnoxious. The last straw was when he started talking about technology. I just could not bear with ego and terminated the friendship.
    Procedures: Teacher Read Aloud: Sonnet 116
    Students will do the following
  • Write a brief paragraph on what you think is the meaning of the poem.
  • I believe that this sonnet is trying to describe the negative aspect of love. It is trying to say that not all love is pure, and that some love can change and alter lives.
  • Think about two questions that you would like to discuss about this poem and write it in your journal/notebook. Now pass your journals around your table and have your peers answer the questions.
  • Q1: How can love not equal love? That is like saying X is not equal to X, which does not compute.
    Q1A: This is not what line 2 is saying. Line 2 continues onto lines 3 and 4 to state that love alters over time and between people.
    Q2: What does Shakespeare mean in line one when he states “Let me not to the marriage of true minds.”
    Q2A: Personal flaws shall not become between a bond a two people that truly love one another.
    Cooperative Learning:
    Thematic: What is the overall Theme of this sonnet? Cite supporting lines from the sonnet
    Undying Love, Love should last forever, Love is Blind.
    Literary Analysis: Look carefully at lines 5-8 notice any metaphors?
    It is the star to every wandering bark. Love should be constant like stars are constant to guide ships.
    Think About: What kind of person might the speaker be? The likely age of such a person. The experiences that such a person might have had.
    The speaker might be someone who has really been in love, someone who has seen another for qualities other than their physical appearance. I would have to say that this speaker would have to be of much older age as this past statement is very wise of someone to say, and typically the older are more wise. As for experiences, the speaker has probably seen many who, although may not be physically appealing, were compatible through sharing the same ideas and concepts.
    Do you think the speaker’s concept of love is realistic? Why or Why not?
    No the speaker’s concept of love cannot be realistic as everyone has their own pet-peeves and everyone treasures beauty in one form or another.
    Connect: What is the ONE flaw that could turn you away from a person? What do you think you can do to overlook this flaw (if you are willing)?
    The one flaw would be that person’s ego. Everyone should be open to learn more and not believe that they know everything. The only thing that I could do would be to build my tolerance for an ego.
    Mechanics: Scan this sonnet -----/-----/ with stress and unstressed
     

    Shakespeare Sonnet Number 29

    By Stanley Switalski
    Do Now: What are the two most important things that you know about Shakespeare and the period?
    Probably the most important is that the Shakespearean period took place during the height of the Renaissance Era, from 1564 to 1610. Another important fact that influenced Shakespeare and his plays was that, back in the 16th century, women were not able to take a role in a play. Because of this, sometimes Shakespeare's work is questioned whether or not X play or sonnet meant this or something else.

    Mini Lesson: What additionally makes up a Shakespearean Sonnet?
  • Iambic Pentameter
  • Rhyme Scheme
  • Analyze and identify a Shakespearean Sonnet
  • Read Sonnet 29 print out the poem or copy and paste it in a word document, then illustrate/write the rhyme scheme at the end of each line.
  • When, in disgrace with fortune and men’s eyes, A
    I all alone beweep my outcast state B
    And trouble deaf heaven with my bootless cries A
    And look upon myself and curse my fate, B
    Wishing me like to one more rich in hope, C
    Featured like him, like him with friends possess’d D
    Desiring this man’s art and that man’s scope, C
    With what I most enjoy contented least; D
    Yet in these thoughts myself almost despising, E
    Haply I think on thee, and then my state, F
    Like to the lark at break of day arising E
    From sullen earth, sings hymns at heaven’s gate; F
    For thy sweet love remember’d such wealth brings G
    That then I scorn to change my state with kings. G

  • Write a brief paragraph on what you think is the meaning of the poem.
  • The speaker is currently not happy with his situation. At one point, I would like to assume that everything was fine. However, now the speaker is an outcast and not even heaven will answer his questions. When thinking about it, the speaker realizes that his passion is not found important to his other peers. And although he cannot do anything to change what has occurred, he still remembers and holds dearly onto that passion.

  • Think about two questions that you would like to discuss about this poem and write it in your journal/notebook.
  • Q1: In line 6, who is the “him” that the speaker is talking about?
    Q2: In line 14, what is his class in society if he “scorns to change his state with kings?”
  • Now pass your journals around your table and have your peers answer the questions.
  • QA1: A better man perhaps, one with many features, which he envies. He pities himself at how he doesn’t have enough in life and others have it all in a spoonful.
    QA2: He’s probably lower than the king and wants to justify himself and equalize it since he wants more in life.

    Cooperative Learning:
    Thematic Question:
  • What is the overall theme of this sonnet? Cite supporting lines from the sonnet
  • It is self-pity. In a few lines he is just describing how he is in a bad situation and just repeats "woe is me."
  • Line 2: I all alone beweep my outcast state.
  • Line 4: And look upon myself and curse my fate.
  • Line 14: That then I scorn to change my state with kings.

  • Is this a Love Poem or Self Pity Poem? Cite supporting lines from the sonnet.
  • Although he may have lost a love or a passion, he concentrates more on the self-pity aspect than the love aspect. Again:
  • Line 2: I all alone beweep my outcast state.
  • Line 4: And look upon myself and curse my fate.
  • Line 14: That then I scorn to change my state with kings.

  • Compare & Contrast:
  • How is this sonnet different from Sonnet 18?
  • Sonnet 18 discussed more about a love and how that love is more beautiful than anything on this earth. Sonnet 29, on the other hand, is talking more about how they lost some love or passion and is remembering good times with that love.

    Analytical Question:
  • What changes the speaker’s mood?
  • Halfway through the sonnet, the speaker stops cursing his situation and instead tries to make good out of it. The speaker starts to recall all the good times he had with this lost love instead of crying about losing this love.

  • What do you think are the speaker’s strongest feelings in this sonnet?
  • The strongest feelings in this sonnet would be hatred and anger, because he has lost this love, and happiness, because the speaker has figured out how to make the best out of his situation.

    Literary Analysis:
  • What literary techniques/devices are evident in Sonnet 29?
  • First Person
  • Conflict
  • Theme
  • Mood
  • Hyperbole
  •  

    My Shakespearean Sonnet - No Sympathy for Our Misery

    By Stanley Switalski
    Task: For the next 14 days you will complete your sonnet. Start by giving your sonnet a title, then write the first line Due tomorrow. You will leave a working copy for me and keep one in your journals. Of course your Sonnet must closely mimic Shakespeare’s. Have Fun with this
    1. Although the world might seem to be flawless,
    2. Everything must have its darkest hour.
    3. Without warning, our world becomes a mess.
    4. Called the president, he is in power.
    5. He is the puppeteer, we the puppets.
    6. He states we should set other countries free.
    7. And yet we are left with all the war debts.
    8. We remain puppets! And he holds the key.
    9. For eight years now we have remained silent,
    10. But now it’s time for us to start caring.
    11. Like Gandhi, we don’t need to be violent.
    12. We won’t need to be anymore daring.
    13. We just need to go out and vote today!
    14. And with this take the puppeteer away!
     

    My Summer Vacation

    By Stanley Switalski
    Task : Describe what you have done on your Summer vacation and your plans for college

    I had a fantastic summer vacation. Starting it off early, I had a chance to see a live taping my favorite Internet television show Diggnation in my neighborhood. Unfortunately I was too young for admittance, but at least I had a chance to have the stars autograph my iPhone. After June 26th, I started working at my middle school as a computer technician for six weeks. My main responsibility was to re-image all the computers in the building, which I actually enjoyed. After those six weeks I had the opportunity to go on two college tours. First I visited Boston and Cambridge Massachusetts with my mother and friends. There I had toured Northeastern University, Boston University and Massachusetts Institute of Technology. A week later I had visited central New York where I toured Colgate University, Rochester Institute of Technology, SUNY Geneseo and Hobart and William Smith colleges. For the last week of summer vacation, I decided to volunteer at my middle school. Of course I did relax this summer by taking part in various activities such as bowling, playing cricket and hanging out with my friends. I do not believe that my summer vacation could have been spent any better.

    As for my college aspirations, I know the majors/minors that I would like to study and I have many colleges and universities in mind that I hope to apply to. My major is computer engineering and my minor would be Networking and System Administration. Number one university on my list is MIT. I understand it’s going to be a difficult school to be admitted to, but I believe I have a good chance. Second on my list is RIT. Although it may be in the middle of nowhere, it is an excellent school for engineering. Other schools I am interested in include Northeastern University, Boston University, Stevens Institute of Technology, Carnegie Mellon and University of Illinois at Urbana-Champaign. I just hope that I can find enough financial aid and/or scholarships to help me pay for the high price tag that comes along with some of these schools.

     

    Intro to William Shakespeare

    By Stanley Switalski
    Aim: Who likes Shakespeare why or why not?
    Procedure: Teacher will give students handout and read aloud Sonnet 18.
    Do Now: Students will read along and annotate.
    Answer the following questions on the handout.
    Comprehension Check:
    What is being described in the sonnet?
    The speaker is describing/comparing a lady (possibly) to the season of summer and how the lady is better than summer.
    Identify literary techniques or devices?
    Metaphors, Consistent Rhyme Scheme, First Person, Characterization, Theme, Symbolism, Mood and Imagery.
    What is the rhyme scheme of the sonnet? Indicate the rhyme scheme at the end of each line.
    1. Shall I compare thee to a summer's day? A
    2. Thou are more lovely and more temperate :B
    3. Rough winds do shake the darling buds of May, A
    4. And summer's lease hath all too short a date: B
    5. Sometime too hot the eye of heaven shines, C
    6. And often is his gold complexion dimmed, D
    7. And every fair from fair sometime declines, C
    8. By chance, or nature's changing course untrimmed D
    9. But thy eternal summer shall not fade, E
    10. Nor lose possession of that fair thou ow'st, F
    11. Nor shall death brag thou wand'rest in his shade, E
    12. When in eternal lines to time thou grow'st, F
    13. So long as men can breathe or eyes can see, G
    14. So long lives this, and this gives life to thee G
    How many lines are in this sonnet?
    There are 14 lines in the sonnet.

    Critical thinking:
    What is this sonnet about?
    The speaker is trying to describe his/her passion and love for someone else by comparing them to a universal beauty (summer).
    What is the theme of this sonnet?
    The speakere is trying to say that their love is more beautiful than a summer day, but that their love does not possess any of the negative aspects of summer
    Paraphrase the sonnet line by line as you would to a friend. You can paraphrase it using slangs, spanglish, abbreviated spellings etc.
    1. Shall I compare thee to a summer's day? Can you be more beautiful than a summer's day?
    2. Thou are more lovely and more temperate Nothing can compare to your beauty
    3. Rough winds do shake the darling buds of May, The winds shake up fragile things of summer
    4. And summer's lease hath all too short a date: There is not enough time to be with you; Summer is too short
    5. Sometime too hot the eye of heaven shines, Sometimes it is too hot.
    6. And often is his gold complexion dimmed, Sometimes it is not always sunny.
    7. And every fair from fair sometime declines, Not always is everything beautiful 100% of the time.
    8. By chance, or nature's changing course untrimmed It is just how nature works.
    9. But thy eternal summer shall not fade, Your beauty, unlike summer, never fades.
    10. Nor lose possession of that fair thou ow'st, You do not lose your character or charm
    11. Nor shall death brag thou wand'rest in his shade, You do not have a depressed or deathly attitude. (As when plants die and shrug when there is no light.)
    12. When in eternal lines to time thou grow'st, You, like time, last forever.
    13. So long as men can breathe or eyes can see, As long as there will be life on this earth.
    14. So long lives this, and this gives life to thee So long as my passion for you stays strong, you will always be number one.


    Based on the comprehension and critical thinking questions: Write your defintion of a sonnet:
    A sonnet is a collection of thoughts, organized into a ryhming poem, that focuses around a certain point or theme.

    Homework Task : Research the Following on William Shakespeare, note it in your notebooks, and remember to cite your sources:
    • Birth
    • Birthplace
    • Education
    • Died
    • Research the Elizabethan Period : What was going on during that period. Highlight what you think the main points are of the period.
    • What are his famous works or most famous work.

    William Shakespeare
    Born:
    Some date in April 1564. Traditionally it is celebrated on the 23rd of April, St. George’s Day. There is no birth record for William, however he was baptized on the 26th of April in 1564. His parents were John Shakespeare, a glover and alderman, and Mary Arden.
    Place of Birth:
    He was born in the “market town” of Stratford-upon-Avon in south Warwicksure, England.
    Education:
    Although there are no records from that period that have survived, most biographers state that William had attended the free school “Kings New School” in Stratford.
    Death:
    William died on the 23rd of April in the year 1616. In his will, he left a large amount of his estate to his eldest daughter Susanna. However she must pass it down intact to her first son of her body. Shakespeare was buried in the chancel of the Holy Trinity Church only two days after his death.
    Elizabethan Period:
    The Elizabethan Period is associated with the reign of Queen Elizabeth I. This period is from 1558 to 1603. This was the height of the English Renaissance, as William Shakespeare and other playwrights “broke free of England’s past styles of plays and theatre.”1 During this time period, England had a strong, centralized and well organized form of government, mainly due to the reforms of Henry VII and Henry VIII. England also grew economically as well due to the increase of it’s trans-Atlantic trade. The only discourse that took place during this time period was the Anglo-Spanish war of 1585-1604. England famously won one battle, but miserably lost the rest of the battles. This hurt both the economy and treasury that Queen Elizabeth had meticulously built up.
    Famous Works:
    • Romeo And Juliet (1591-1595)
    • Julius Caesar (1599)
    • Macbeth (1603-1606)
    • Hamlet (1599-1601)
    • A Midsummer Night’s Dream (1594-1596)
    Sources:
    William Shakespeare Via Wikipedia
    Stratford-upon-Avon Via Wikipedia
    1 - Elizabethan Era Via Wikipedia
    Romeo and Juliet Via Wikipedia
    Julius Caesar Via Wikipedia
    Macbeth Via Wikipedia
    Hamlet Via Wikipedia
    A Midsummer Night’s Dream Via Wikipedia