Othello - Act I

By Stanley Switalski
 

First Draft of Othello - Casting and Act I Scene I

By Stanley Switalski


Act I, Scene I

[Scene: A warm Venitian night. The act fades into view. Iago and Roderigo enter from opposite sides of the set; Iago from the left, Roderigo from the right. Iago has just been informed that Michael Cassio, a fellow soldier, has been promoted to Lieutenant]

Roderigo: Hey Iago! What’s up man, how have you been?
Iago: Terrible, just terrible. You know that Michael Cassio guy? You know the one who is buddies with Othello?
Roderigo: Oh I think I know who your talking about. He was Othello’s sidekick right, like his right-hand man?
Iago: Yea that's him, and guess what happened?
Roderigo: Cassio approached you and let you know that Desdemona eloped with Othello? Iago: Wait, what happened?
Roderigo: Yea man, I don’t know what your problem is but the love of my life just ran off with that moor bastard.
Iago: You don’t say? Well my problem is that Othello just promoted Cassio as Lieutenant. Man I should have received that promotion. There is just no way that Cassio is as qualified as me. How can that stupid moor promote him over me? I’ll tell you one thing. The only reason I am going to remain in this infantry is so that I can execute some sort of revenge on Othello. “I follow him to serve my turn upon him.” (I.i.42)
Roderigo: How do you expect to do that. After all, he is the “great moor Othello.” It isn’t as though you could just walk in one day and kill him or something. Iago: Take it easy Roderigo. Take it step by step. First lets go tell Brabantio about his daughter’s marrage to that damn moor.
Roderigo: Oh you’re slick Iago. Brabantio is so racist, he will go straight to the Duke if he has to in order to make sure that Othello is punished.

[Scene changes to Brabantio’s window ledge where Bradantio is awakened by Roderigo and Iago]

Roderigo: Brabantio!
Iago: Awake! What ho, Brabantio! Thieves! thieves! thieves! Look to your home, your daughter, and your bags! Thieves! thieves! (I.i.79-81)
Brabantio: What the hell do you infidels need now?
Iago: Brabantio, you must dress and come downstairs at once for “an old black ram/Is tupping your white ewe.” (I.i.88)
Brabantio: What the hell are you saying? Look I have a busy day tomorrow and I don’t need any crap from you guys right now.
Roderigo: Your daughter is in the “clasps of a lascivious Moor.” If you don’t believe us, check her chamber.
Brabantio: Excuse me for a second gentlemen.
[A Few Seconds Later]
Brabantio: Theif! That lascivious thief! I will skin him alive if need be!
[Running down the stairs]
Brabantio: You two, tell me where my daughter is or you too shall be sorry.
Roderigo: Sir, we do not know honest! We just know that the moor took your daughter.
Brabantio: Did they marry? Please, you do know this much correct?
Iago: I apologize sir, but yes they did marry.
Brabantio: “Treason!” [Running down the street still in his night clothing] “Treason!”
 

Beginning of Writing our Othello

By Stanley Switalski
Aim: Now that you seemingly know the characters and settings: What dialogue, monologues, narration, stage directions, in other words drama terms can we appropriately apply to our acts?
Improv: Let's pick a scene and do an improv, but using today's language.
DN: Recall the mini play that you wrote and what drama terms did we use.
Our main drama term is dialogue as our act was mainly improv. We did use unique diction to depict that our characters were either drunk/high.
 

Final Character List for our Othello

By Stanley Switalski
 

Applying Theme and Setting to Shakespeare's Othello

By Stanley Switalski
Aim: What are the various themes that we can apply to Shakespeare's Othello and what settings do you think are appropriate to represent the settings in your act?

Do Now: Write a paragraph on what you think is an appropriate theme for Shakespeare's Othello.
It should be a sophisticated love story that involves betrayal and revenge. This is mainly due to the fact that Iago is an evil mastermind who is going behind many character’s backs, and as he is doing this, he is disturbing and corrupting relationships. As for a one-word theme, I would find revenge the best word. After all, Iago’s revenge is what powers the entire plot of the play.

Select one of the following themes and in another paragraph or two state why your selection best fits this play:
The major themes of Othello are:
1. appearance and reality,
2. society's treatment of the outsider; and
3. jealousy
I feel as though jealousy is the best theme for Othello. The main driving force of the plot is Iago’s quest for revenge. Mostly everything throughout Othello is based of Iago’s need to carry out his revenge. However, this revenge is all based on Iago’s jealously of Michael Cassio being promoted to Lieutenant over him. If Iago was not jealous of Michael Cassio, then he probably would not feel a need to carry out any revenge.
Carrying the jealously theme even further, Iago utilizes Rodrigo’s jealously of Othello for eloping with Desdemona in his revenge. If Rodrigo was not jealous, he may not have listened to Iago’s plans and therefore the plot of Othello would not have been the same.
 

Characters I would like to feature in my Othello - From Act I

By Stanley Switalski